Detailed font reports using fontreport tool

Google i18n team developed a tool to create detailed report of fonts. The tool named fontreport, produces a multi page PDF with Unicode coverage of the font, what glyphs are in it, what Open Type features it supports, available ligatures, and glyph substitutions. Optionally the tool can also create plain text reports. The PDF is generated using TeX.

Manjari font report generated using fontreport tool

I found it very useful to create report for a dozen of fonts I maintain with Swathantha Malayalam Computing community. Sharing the reports it created:

Font reports(PDF):

  1. Rachana Regular
  2. Rachana Bold
  3. Meera
  4. Manjari Regular
  5. Manjari Bold
  6. Manjari Thin
  7. Dyuthi
  8. Chilanka
  9. Karumbi
  10. AnjaliOldLipi
  11. Keraleeyam
  12. Uroob

കേരളപ്പിറവിയുടെ അറുപതാം വാർഷികം – മനോരമ പത്രത്തിലെഴുതിയ കുറിപ്പ്

മലയാള മനോരമ, എഡിറ്റോറിയൽ പേജ്, നവമ്പർ 1 2016
മലയാള മനോരമ, എഡിറ്റോറിയൽ പേജ്, നവമ്പർ 1 2016

Manjari Font

I am happy to announce the new Malayalam font I was designing for past several months. The new font is named “Manjari”.

Malayalam blogpost:

Malayalam script is known for its curly characters with beautiful loops. Encoded in unicode around 2001, it is relatively new to the digital age. The script has been evolving from rectangle shaped to oval shaped types of varying proportions. The popular culture is more of oval/ellipse shaped curves, mainly because writing methods using stensils or pens demanded less sharp corners. The character or ligature shapes has also been changing gradually towards the shapes that are easy with pens. The Manjari font takes that to another level by smoothening all curves to its maximum.

The curves are constructed along the spiral segments. The resulting shapes are extra smooth. The curve perfection resulted in whitespaces that aquired beautiful leaf and drop shapes between the bowls and loops of the script. It is illustrated in the specimen. The spiral smoothness of curves were complemented by rounded terminals which gives very soft feeling for the eyes.

The design of the curves in Manjari are theoretically based on the PHD thesis by Raph Levien – “From Spiral to Spline: Optimal Techniques in Interactive Curve Design” ( The Inconsolata monospace humanist latin font known for its clean lines and elegant design by Levien himself is based on this theory.

Normal, Bold, Thin style variants are available. This is the first Malayalam unicode font with thin style variant


The curve strokes in Manjari were drawn in Inkscape using the spiral library written by Raph Levien himself  and opentype feature compilation was done using FontForge. The font is about to release in next few days, SVGs, scripts and source is available at 

Orion Champadiyil prepared some illustrations using the font, you can see them in our font download page

News reports


Redesigned font download page of SMC

The font preview and download page of SMC has a fresh look now.


The intention is to provide a font preview, typography showcase, download site in single page. Every font has multiple illustrations of usage and the text used is editable if you want to try your own text there.

The old page which was also designed by myself was not mobile friendly. It provides a single page view to compare the fonts, each represented as cards. But it did not had enough flexibility to showcase some fine usages of typography.


The new design is mobile friendly.

On technical side, I used flexbox, LESS. For carousal style transitions, I used cycle2  More importantly, I did not use bootstrap :).  See code.

Fontconfig language matching

I had to spend a few hours to debug a problem about fontconfig not identifiying a font for a language. Following the tradition of sharing the knowledge you acquired in hard way, let me note it down here for search engines.

The font that I am designing now has 3 style variants, thin, regular and bold. All has same family name. So if you set this family for whatever purpose, depending on context, thin, regular or bold versions will be picked up. Regular is expected by default. Also when you pick the font from font selectors, you would expect, regular being selected by default.

The problem I was facing is, instead of Regular, Bold was getting selected as default. In font selectors, Bold was listed first.

In GNU/Linux systems, this font matching and selection is done by fontconfig. I started with fc-match

$ fc-match MyFont
MyFontBold.otf: "MyFont" "Bold"

So that confirms the problem. After fiddling with os/2 properties , asking in fontconfig mailing list, and reading fontconfig documentation, I found that the lang property fontconfig calculates from Regular variant of font does not include ‘en’

$ fc-list MyFont : family : style : lang 

I tried to find how fontconfig calculates the languages supported by a font. The minimum set of code points to be included in a font so that fontconfig declare that it supports a given language is defined in the fontconfig library. You can find them in source code. For example, mandatory code points(glyphs that match to it) to be present for English is defined in en.orth file. I cross checked each code points and one was indeed missing from my regular font variant, but bold version had everything. When I added it, all started working normally.

Later fontconfig developer Akira TAGOH told me that I can also use fc-validate to check the language coverage

$ fc-validate --lang=en MyFont.otf
MyFont.otf:0 Missing 1 glyph(s) to satisfy the coverage for en language

And after adding the missing glyph

$ fc-validate --lang=en MyFont.otf
MyFont.otf:0 Satisfy the coverage for en language

And now fc-match list Regular as default style

$ fc-match MyFont
MyFont.otf: "MyFont" "Regular"

Making of Keraleeyam font: From ASCII to Unicode

Keraleeyam is a new unicode malayalam font designed for titles.  It was originally designed in 2005 for ‘Keraleeyam’, a magazine supporting environmental movements in Kerala, with ASCII encoding and was distributed along  with Rachana editor software.

Unicode font feature tables for malayalam are complex, which include diverse rules for ligature formation and glyph positioning. Keraleeyam which was originally ASCII encoded, contained no such rules. It would have been a herculian task to manually add the rules for each glyph. Keraleeyam has 792 glyphs in it. Also rules needed to be duplicated to support both the latest and old open type specifications. It ensures that the font is rendered correctly by all applications in new and reasonably old operating systems.

Happy to say that font featuring was done without much difficulty as one would expect. Thanks to the existing unicode font Rachana with little known bugs and extensive glyph set of 1083 glyphs. And thanks to Hussain K. H. who designed and named every glyph with the same name as the corresponding glyph in Rachana. Rajeesh K. V. imported the feature tables of Rachana and applied it over Keraleeyam, in a semi- automated manner.

Then remained the optimization tasks of kerning and positioning. I contributed to such fine tuning stuff. The beta version of the Keraleeyam font was released as a part of 13th anniversary celebrations of Swathanthra Malayalam Computing by Murali Thummarukudi at Vylopilli Samskrithi Bhavan on 16th December 2014.

The project is hosted here. Seeking comments and feedbacks for the release of stable version soon.


New handwriting style font for Malayalam: Chilanka

A new handwriting style font for Malayalam is in development. The font is named as “Chilanka”(ചിലങ്ക).

This is a alpha version release. Following is a sample rendering.

More samples here.

You may try the font using this edtiable page -It has the font embedded

Download the latest version:

Chilanka/ചിലങ്ക is a musical anklet

A brief note on the workflow I used for font development is as follows

  1. Prepared a template svg in Inkscape that has all guidelines and grid setup.
  2. Draw the glyphs. This is the hardest part. For this font, I used bezier tool of inkscape. SVG with stroke alone is saved. Did not prepare outline in Inkscape, this helped me to rework on the drawing several times easily. To visualize how the stroke will look like in outlined version, I set stroke width as 130, with rounded end points. All SVGs are version tracked. SVGs are saved as inkscape svgs so that I can retain my guidelines and grids.
  3. In fontforge, import this svgs and create the outline using expand stroke, with stroke width 130, stroke height 130,  pen angle 45 degree, line cap and line join as round.
  4. Simplify the glyph automatically and manually to reduce the impact of conversion of Cubic bezier to quadratic bezier.
  5. Metrics tuning. Set both left and right bearings as 100 units(In general, there are glyph specfic tuning)
  6. The opentype tables are the complex part. But for this font, it did not take much time since I used SMC’s already existing well maintained feature tables. I could just focus on design part.
  7. Test using test scripts

Some more details:

  • Design: Santhosh Thottingal
  • Technology: Santhosh Thottingal and Kavya Manohar
  • Total number of glyphs: 676. Includes basic latin glyphs.
  • Project started on September 15, 2014
  • Number of svgs prepared: 271
  • Em size: 2048. Ascend: 1434. Descend: 614
  • 242 commits so far.
  • Latest version: 1.0.0-alpha.20141027
  • All drawings are in inkscape. No paper involved, no tracing.

Thanks for all my friends who are helping me testing and for their encouragement.
Stay tuned for first version announcement 🙂

(Cross posted from )

Meera Tamil font in Ubuntu Trusty Tahr

Ubuntu Trusty Tahr is going to be released on April 17th 2014.Meera Tamil

Meera Tamil font, a free licensed unicode font for Tamil will be available in this release.

The font is already available in Debian. In both Ubuntu and Debian you can install the font by

sudo apt-get install fonts-meera-taml

Thanks Vasudev for packaging it for Debian.